Alex Tyler x Corston Architectural Detail
Showreel
Work
Developed the creative concept, visual style and overall direction for the film. Directed a two-day shoot, shaping the look and feel from pre-production through to capture to deliver the creative vision.
Role – Director
Worked closely with the creative team to develop the narrative and communicate the product’s key USPs, creating an informative film around the new technology. Edited the project from offline through to final delivery, managing the post-production process to completion.
Role – Director and Editor
Product launch film featuring James Dyson for the Dyson Gen5. Shot in a single afternoon as a self-shooter on Sony FX6, handling both camera and audio. I then edited the piece and managed post-production with external colour and retouching suppliers, before finishing, versioning, and delivering the final outputs.
Role – Camera Op and Editor
The story behind “Blue Blush” — a behind-the-scenes film exploring the Dyson CMF team’s creative process in developing the latest colourway. I contributed to creative development, co-directed the piece, operated camera on set, and led the edit. I then managed external post-production through to final grade and delivery.
Role – Director, Camera Op and Editor
Directed this real-life social piece showcasing how products are tested in Dyson’s labs using the same principles and conditions they experience in the home. Worked across ideation, creative development and visual direction, shaping the look and feel of the film before editing and managing the project through post-production.
Role – Director
Alright Butt is a 35-minute action-packed mountain bike film celebrating the Welsh MTB scene, featuring world-class athletes, trail builders and well-known local riders. Shot, directed, and edited by me, the film was taken through full post-production before being delivered for release on iTunes, Vimeo, and Google Play.
Role – Director, Camera Op and Editor
Supersonic Travel TV commercial. Took on the whole edit process, offline and online. I then managed external post-production suppliers for grading and retouching through to final delivery.
Role – Editor
A six-part social campaign delivered across multiple aspect ratios for digital platforms. I worked as Camera Operator, edited each asset, and managed the project through post-production, coordinating with external suppliers to ensure the final delivery met the required standards.
Role – Camera Op and Editor
Edited a 24-minute episode for Jonny Smith’s The Late Brake Show, syncing multiple camera angles and audio sources before crafting the final edit for YouTube.
Role – Editor
Animated pre-roll cinema advert showcasing the environmental credentials of Britain’s greenest energy provider. Animated in After Effects, then edited, comped, and finalised in Premiere Pro for UK cinema distribution.
Role – Animator/Motion Graphics
Edited the engineering launch film for Dyson Airstrait, cutting down multiple interviews into a clear narrative. Managed both the offline and online edit before taking the project through colour grading with an external post-production partner.
Role – Editor